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Not the director, but the actor was unsatisfying. Chekhov has condensed many autobiographical elements in this character, too, but the critics didn’t notice it at the beginning. It states that “The heart-broken Nina stands lonely and she is proudly facing all the other characters, these egoistic, petty-minded people.
La Mouette de Tchekhov – Avignon 2012
Still, what he had to bear at 17th October and the days after was incomparable to everything before. But when the famous monologue of the insert play has started: Is it possible that skills and popularity are sufficient reasons to evoke it? Tous le savent, acteurs, public et presse. He sat his actors onto a long bench as a fourth wall, facing with the back the audience. It seems that he has misunderstood the play.
It is the creation of a second realism. The instructions for the scenery, sounds, noises, movements and actors demonstrate the idea miuette this theatre should be based on being and life, not on a playing-game.
On the evening of 17th Octoberbefore the premiere, the chaos reached the summit.
He was a weakling, an extremely complacent Trigorin – wrote Ephros about him. The audience attracted to theatre by the bonus play of Saint Petersburg’s favourite comedienne was waiting patiently at the beginning. The author has disappeared in the meantime.
La Mouette de Tchekhov – Avignon
Stanislavsky mouete not a good Trigorin. A part of the innovations have become routines since then, they have been used up. Chekhov lost his polite patience to the end of the summer and instead of detailed texts he started giving short instructions to Potapenko who was discussing with the censors in the name of Chekhov. The censorship was studying deeply and for tchkeov long time the text of tchekv Seagull.
The Seagull has failed for the first time at the premiere. The date of the premiere was 17th December Theatre critics blamed first of all him and his play, not the theatre, the direction or the actors.
It turned to be a short novel. It is scandalous that you write three line-letters – this is egoism and disgusting laziness! Oh, oh, isn’t she ashamed! The actress has left the theatre soon.
There was only one critic who was astonished by this attitude: The performance turned out to be a scandal; even experienced old men of literature as Suvorin agreed in never miuette having seen such a horror. Here is one typical example out of the many, written by an otherwise important literary critic: Mizinova See, now you have a pretext to call me liar!
It is realism itself. Two years later Nemirovich-Danchenko fell in love with the play and persuaded Stanislavsky to make the performance.
Stanislavsky built up consequently and in an ostentatious manner a fourth wall out of mainly those things that were in the foreground of the stage.
Furthermore – that has never happened before to the author scrupulously correcting even the fifth edition of his own works – he wrote to Potapenko: His figure tcheov built on one single feature: Stanislavsky played the role of Trigorin for seven years; he transformed the role in Knipper and Meierhold played very well.
He started to love and understand the play while writing about it. Let me know when you arrive to Moscow. Et puis soudain, venu de loin comme un grondement tellurique qui monte de la salle, c’est l’explosion d’applaudissements.
After the performance they were desperately looking for him, but he was nowhere. Mmouette first objection was that Potapenko the seducer of Lika was easily discernible in the figure of the famous writer, Trigorin. Nuits blanches et crises de nerfs. Everybody was perplexed, the general atmosphere was anything, but not mpuette.
Chekhov must have feared that this Medvedienko mouettd talking about money can easily slide into a caricature-figure. Chekhov read the play in front of a wide company, this was the first audience of the Seagull, and the theatre critics mainly used to the overwhelming plots of Sardou and Dumas generally didn’t like it.
However, one thing was missing, it could not have been integrated: In the introduction Stanislavsky considered it important to distance himself in a certain degree from his own earlier work, as his ideas have ,ouette a lot in the meantime. Chekhov turned to be a great talent, but for me it is undoubtedly true that it was a mistake to raise him to this literary rank The main condition was that the young heroine should not notice the affair of her mother and Trigorin.
Don’t fear to stay at my place.
I will not allow myself any indecency, if only because I’m afraid to ascertain about happiness never coming. Nobody understood the play except Comissarjevskaya, one of the most prominent personalities of Russian theatrical art, who played Nina, and received the text four days! La Mouette d’ Anton P.