Det postdigitala manifestet. Rasmus Fleischer. Uploaded by. Rasmus Fleischer. Loading Preview. Sorry, preview is currently unavailable. You can download the . Wiki for Collaborative Studies of Arts, Media and Humanities. Det postdigitala manifestet. Hur musik äger rum. Arvidson, Mats. Published in: Svensk tidskrift för musikforskning. Published: Link to publication.
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Avoid series that cross authors, unless the authors were or became aware of the series identification eg.
Katrine Wamsler is currently reading it Aug 23, The copyright laws were never entirely clear. Be the first to ask a question about Det postdigitala postdigita,a.
Yes, but gradually The Pirate Bay also — quite unintentionally — took on a postdigitapa function. This helped give The Pirate Bay a very strong symbolic position and also made it a central node in the online infrastructure in purely physical terms. Like many concepts in the book world, “series” is a somewhat fluid and contested notion. Series was designed to cover groups of books generally understood as such see Wikipedia: To see what your friends thought of this book, please sign up.
Jonas Nilsson rated it liked it Aug 05, At that point it became important for us to emphasise that the potential we see in these file sharing postdigiyala is not as a means for maximising consumption.
But here, three days after the Swedish police shut down The Pirate Bay the website was up and running again under the same name. Open Preview See a Problem? Constructs that are about to break down. So we elected to maintain a certain distance to Piratpartiet. Copyright legislation is in a state of permanent crisis and this is evident in the ever-increasing proliferation of gray areas.
We had no idea about who these people were, but they claimed to be basing their work on what we were doing. Copying as an activity was a central aspect of everything we did. Books by Rasmus Fleischer. Rather than discussing how it may be modernised we have always been more interested in how it can be ignored. By default, it sorts by the number, or alphabetically if there is no number. So, the Dummies guides are a series of works. Home Groups Talk Zeitgeist.
Is there any way of protecting commercial interests without also making a break with important legal and ideological principles? What we need to do is to build more alternative settings where such conversations can be had. We are facing a long process of coming up with new alternatives. It has become almost impossible to trace collective interaction backwards in time, for these media have been systematically built in a manner that does not allow access to the back history.
How has the new millennium and major events shaped the Internet we manifesteet today? For now, avoid forcing the issue with mere “lists” of works possessing an arbitrary ;ostdigitala characteristic, such as relating to a particular place.
File:Fleischer Rasmus Det Postdigitala Manifestet Hur musik aeger – Monoskop
Many web activists have helped build hackspaces, i. Rasmus Fleischer, Det postdigitala manifestet Today, the central issue is not one of accessing copyrighted material, but about our infrastructure for utilising all kinds of information.
Also avoid publisher series, unless the publisher has a true monopoly over the “works” in question. This book is not yet featured on Listopia. We were not concerned with who picked up on the ideas; they were adopted by people aligned with both sides of the political spectrum in Sweden. Santeri Laurila rated it really liked it Aug 08, Trivia About Det postdigitala Mattias Indy added it Mar 07, What we wanted to achieve was not to have all online file sharing take manifrstet via us; rather, we wanted file sharing to blossom and give rise to a plethora of different websites aimed at niche audiences.
We always thought it was problematic how this issue is reduced to a matter of getting access to entertainment materials. Danni Naeil marked it as to-read Jan 03,