Lizi Rodríguez By: Lizi Rodríguez. Follow. Friend; Family; Unfollow. Presentando mi nuevo libro “¡Cuidado! el perro muerde”. Done. Comment. Lizi Rodriguez is the author of Manual Para El Exito Familiar/ Manual for the ¡ Cuidado! El Perro Muerde: Manual Para Encontrar Al Hombre De Tus Sueños. Embed Tweet. #MiniEncuesta “Cuidado el perro muerde” de Lizi Rodriguez # EdionesUranoTeLee #NuestrosLectoresOpinan #UranoTips
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My Buenos Aires runs counter to the romantic vision of Buenos Aires. Behind the masks, we can clearly see that the spectacle, multinationals and religions are part of the same system of power. Works by the earlier generation of artists represented in the show can be loosely situated within geometric abstraction and abstract constructivism, influenced by artists such as Piet Mondrian — and groups such as De Stijl founded and the ZERO movement of the s and 60s, as well as the American Colour Field painters.
The screwed in slats leave marks on the paint underneath once removed, like remnants of the history of its making.
Folding is the action through which a line turns into a figure, a plane becomes tridimensional, and a painting becomes an object. The public protests that arose following the crisis have shown a capacity for counterpower that has no equivalent in the history of modern nations. Using a variety of media including site-specific mueree, video, installation, sculpture and drawing, his work can be understood as a phenomenological exercise in which reality is comprehended through contemplation and perception of things.
Peisajovich explores the material constitution of the image more cjidado that of representation. Quatro relevos e sete desenhos completam a mostra. At the same time, it will arouse suspicion and a feeling of uncertainty about what else will appear.
But mostly, their purpose is to provoke our imagination, to make us creators of stories and narratives by suggesting an interplay between observation and materialization, surface and volume, void and being, possessions and desires.
The challenges of life in art as its content are introduced by the artist. It looks like a figure with something missing; it is at once a body and its ghostly double. Program highlights The artists in the central exhibition of the Biennial of the Americas, Now? Siguen a Homar, un rebelde y activista, que cruza la isla desmilitarizada en una motocicleta que tiene una trompeta soldada al silenciador.
It is a cadaver, just as the French theorist Maurice Blanchot notes: The palette of these works is organized based on the tension produced by chromatic relations, manifesting the unstable parameters of oizi eye.
The current exhibit of Alice Quaresma is one of the most interesting ones, not only for llzi unstable and migrant character in the photographic process, but also for embodying, in a poetic and unique way, some pungent issues to the contemporary artist.
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Lo cual significa una ejercicio de diversas miradas sobre la modernidad y el urbanismo. Against the backdrop of a social vision that remains very clear in the way that the act of physical labor is understood, the artist seems to once again emphasize the sculptural value culdado his production.
The result is a series of interventions— site specific art —where interaction with the visitor forms part of the creative process. Llizi 3 months, by the end of the show, the curtains will possibly be used and dirty after a period of multiple configurations created and lived by the public.
As enunciated by Gustave Flaubert, God is in the details . De la Mora describes these objects, which have outlived their usefulness, as caches for historical information about everyday life. Art is above all a human adventure. Artists in the show include a mix of well-known and emerging art stars from Argentina, Brazil, Colombia, Cuba, Mexico, Peru, and Uruguay, including: The group exhibition takes a survey of how the language of both abstraction and figurative form can be conveyed throughout vastly different corners of the world.
Hand Gestures bring more intuition and less control. The fact is that Kirin dreamed about this writer he admires in reds and it is known that dreams have a mysterious logic of their own.
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The public also brings its own unknown universities that end up projected onto the work: A sequence of industrial materials and processes are obsessively sorted. A portable kit composed of 10, elements cut out of self-adhesive paper becomes an insignificant alphabet that the artist will fold and paste onto the walls during the three months preceding the biennale.
Depending on the viewpoint, its monumental character situates us walking on the ocean floor, entering a cave, observing from the sea surface, or seeing a climbing plant from cloud level.
The exhibition framework is based on the premise that color and text are two major building blocks of creative expression, and can therefore be seen as architectural components of a given composition.
She brings found objects together in space and across time, and her works establish a tangible record of ephemeral relationships encountered.